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the letter she never sentWhich is unfortunate, because examining things too closely is usually how they start.
Horror, thrillers, speculative fiction, dark romance and fantasy. Different genres, same bad habit: take something familiar, question one small detail everyone else seems perfectly happy to accept, and follow it until the entire premise becomes somebody's problem.
Sometimes the monsters aren't monsters. Sometimes the person saving you is worse. Sometimes cheating Death turns out to be a spectacularly bad idea.
Basically, if a story has rules, I'm probably going to interfere with them.
And don't get too attached to anyone...
Familiar rules.
Broken differently.
Secrets. Obsession.
Consequences.
Love doesn't make
anyone safe.
Beautifully
broken.
Some things don’t survive the truth.


Another author's success isn't your failure. And frankly, it's about time we stopped behaving as though it is


If fiction were evidence of criminal intent, half the publishing industry would be serving life sentences.


Ideally, I'd like them to enjoy them enough to finish the book, buy the next one and perhaps tell another human being that it was worth reading. I'm an indie author. I'm not going to pretend sales, ratings and reviews don't matter to me, because they obviously fucking do.



The dark is in the details.
Expect broken rules, questionable decisions, uncomfortable consequences, and stories that rarely behave the way their tropes suggest they should.
Everyone wants to cheat Death. Nobody asks what happens if they win.
Styx has spent millennia guiding souls from the living world to the afterlife. He has never killed anyone. He cannot. Death only arrives after the thread of life has already been cut.
Then the cutting stops. People bleed, break, age and suffer, but nobody dies. Souls remain trapped inside bodies that should have released them, and the world begins to discover that immortality without healing is not a miracle.
The only person who may be able to restore the balance is Talia, the last soul Styx ever successfully carried across.
There is just one problem.
She is alive again.
And this time, Death may be the only one who can kill her.
A dark romantic thriller in three parts. One mistake pulls a woman into the orbit of a man who owns everything except the truth, and the cost of knowing it compounds with every book.
Read in order. Nothing here forgives itself.